 |
|
 |
|
36
|
|
Live in New York Conductor¨: Charles Zacharie Bornstein |
| Ξενάκης Ιάννης Xenakis Iannis | |
| Live in New York | |
| [1]
PHLEGRA (1975)
for flute /piccolo,oboe clarinet /bass clarinet,bassoon,horn,trumpet, trombone,violin,viola,cello,bass |
[3]
KAI (1995)
for flute,clarinet,bassoon,trumpet,trombone, violin, viola, cello, bass First Recording /Premier Enregistrement |
| [2]
KUILLEN (1995)
for flute 2 oboes, 2 bassoons, 2 horns First Recording /Premier Enregistrement |
[4]
EPICYCLES (1989)
for solo cello, flute,oboe, clarinet, bassoon, trumpet,trombone,tuba,2violins, viola, bass solo cello : Dan Barrett |
| [5]
XENAKIS IN HIS OWN WORDS
Live Post-Concert interview by Charles Zacharie Bornstein |
|
|
|
|
|
1997 Vandemburg
wave 0001
|
|
 |
Markus Leoson |
| Ξενάκης Ιάννης Xenakis Iannis | |
| [1].
Rebonds
Composer.....................Iannis Xenakis (1922 - ) Performer............. Markus Leoson (Percussion) Period......................... 20th Century Country..................... Paris, France Recording Date...........1994-96 |
[4].
Omar
Composer...............Franco Donatoni (1927 - ) Conductor...............B. Tommy Andersson Performer ..............Markus Leoson (Percussion) Date Written...........1985 Period....................20th Century Recording Date.....1994-96 |
| [2].
Movements (2) for Marimba
Composer..............Toshimitsu Tanaka (1927 - ) Performer..............Markus Leoson (Percussion) Period...................20th Century Country.................Japan Recording Date.....1994-96 |
[5].
Ground
Composer..............Norio Fukushi (1945 - ) Conductor..............B. Tommy Andersson Performer..............Markus Leoson (Percussion) Date Written..........1976 Period.................. 20th Century Country.................Japan Recording Date.....1994-96 |
| [3].
Concerto for Percussion "Apollo"
Composer..............B. Tommy Andersson Conductor..............B. Tommy Andersson Performer..............Markus Leoson (Percussion) Date Written..........1995 Ensemble..............Sundsvall Chamber Orchestra Period...................20th Century Country.................Sweden Recording Date.....1994-96 |
[6].
Concerto for Marimba and Vibraphone, Op. 278
Composer..............Darius Milhaud (1892 - 1974) Conductor .............Jin Wang Performer..............Markus Leoson (Percussion) Date Written..........1947 Ensemble.......Royal Stockholm Opera Orchestra Period...................20th Century Country..................France Recording..............Live Recording Date......11/11/1995 |
|
Caprice
Records - Catalog# 21466 UPC 72372249292
|
|
 |
Turing Machine
|
| [1].
Tr?sch (1976)
Percussionduo + Tape: Daniel Buess(1976) |
[6]. Intermission III |
| [2]. Intermission I | [7].
Psappha (1976)
Percussion solo: Iannis Xenakis (1922) Percussion :Daniel Buess |
| [3].
Activities (1998)
Percussion+ Live- Elektronic: Rico Gubler (1972) Daniel Buess: Percussion, Nikolaus Neecke: Live Electronic |
[8]. Intermission IV |
| [4]. Intermission II | [9]. N.S. Turing Machine Version (1998) Percussionduo+Tape: Alex Buess (1954) |
| [5].
Puls II+I I (1993)
Percussion solo: Maarten Altena (1943) Percussion : Daniel Stalder |
Mixed and edited by Alex Buess System Enhancer: Roger Graf Gestaltung, Photos and Video by Christian Lichtenberg at Liquid-Blue, Basel |
 |
Roger Woodward Kraa Nerg-Etcetera Alpha Cenrauri Ensemble |
 |
 |
 |
 |
 |
 E-Mail
: anastas@eexi.gr |
||||
|
|
||||